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《HOPE English 希平方》服務條款關於個人資料收集與使用之規定

隱私權政策
上次更新日期:2014-12-30

希平方 為一英文學習平台,我們每天固定上傳優質且豐富的影片內容,讓您不但能以有趣的方式學習英文,還能增加內涵,豐富知識。我們非常注重您的隱私,以下說明為當您使用我們平台時,我們如何收集、使用、揭露、轉移及儲存你的資料。請您花一些時間熟讀我們的隱私權做法,我們歡迎您的任何疑問或意見,提供我們將產品、服務、內容、廣告做得更好。

本政策涵蓋的內容包括:希平方 如何處理蒐集或收到的個人資料。
本隱私權保護政策只適用於: 希平方 平台,不適用於非 希平方 平台所有或控制的公司,也不適用於非 希平方 僱用或管理之人。

個人資料的收集與使用
當您註冊 希平方 平台時,我們會詢問您姓名、電子郵件、出生日期、職位、行業及個人興趣等資料。在您註冊完 希平方 帳號並登入我們的服務後,我們就能辨認您的身分,讓您使用更完整的服務,或參加相關宣傳、優惠及贈獎活動。希平方 也可能從商業夥伴或其他公司處取得您的個人資料,並將這些資料與 希平方 所擁有的您的個人資料相結合。

我們所收集的個人資料, 將用於通知您有關 希平方 最新產品公告、軟體更新,以及即將發生的事件,也可用以協助改進我們的服務。

我們也可能使用個人資料為內部用途。例如:稽核、資料分析、研究等,以改進 希平方公司 產品、服務及客戶溝通。

瀏覽資料的收集與使用
希平方 自動接收並記錄您電腦和瀏覽器上的資料,包括 IP 位址、希平方 cookie 中的資料、軟體和硬體屬性以及您瀏覽的網頁紀錄。

隱私權政策修訂
我們會不定時修正與變更《隱私權政策》,不會在未經您明確同意的情況下,縮減本《隱私權政策》賦予您的權利。隱私權政策變更時一律會在本頁發佈;如果屬於重大變更,我們會提供更明顯的通知 (包括某些服務會以電子郵件通知隱私權政策的變更)。我們還會將本《隱私權政策》的舊版加以封存,方便您回顧。

服務條款
歡迎您加入看 ”希平方”
上次更新日期:2013-09-09

歡迎您加入看 ”希平方”
感謝您使用我們的產品和服務(以下簡稱「本服務」),本服務是由 希平方 所提供。
本服務條款訂立的目的,是為了保護會員以及所有使用者(以下稱會員)的權益,並構成會員與本服務提供者之間的契約,在使用者完成註冊手續前,應詳細閱讀本服務條款之全部條文,一旦您按下「註冊」按鈕,即表示您已知悉、並完全同意本服務條款的所有約定。如您是法律上之無行為能力人或限制行為能力人(如未滿二十歲之未成年人),則您在加入會員前,請將本服務條款交由您的法定代理人(如父母、輔助人或監護人)閱讀,並得到其同意,您才可註冊及使用 希平方 所提供之會員服務。當您開始使用 希平方 所提供之會員服務時,則表示您的法定代理人(如父母、輔助人或監護人)已經閱讀、了解並同意本服務條款。 我們可能會修改本條款或適用於本服務之任何額外條款,以(例如)反映法律之變更或本服務之變動。您應定期查閱本條款內容。這些條款如有修訂,我們會在本網頁發佈通知。變更不會回溯適用,並將於公布變更起十四天或更長時間後方始生效。不過,針對本服務新功能的變更,或基於法律理由而為之變更,將立即生效。如果您不同意本服務之修訂條款,則請停止使用該本服務。

第三人網站的連結 本服務或協力廠商可能會提供連結至其他網站或網路資源的連結。您可能會因此連結至其他業者經營的網站,但不表示希平方與該等業者有任何關係。其他業者經營的網站均由各該業者自行負責,不屬希平方控制及負責範圍之內。

兒童及青少年之保護 兒童及青少年上網已經成為無可避免之趨勢,使用網際網路獲取知識更可以培養子女的成熟度與競爭能力。然而網路上的確存有不適宜兒童及青少年接受的訊息,例如色情與暴力的訊息,兒童及青少年有可能因此受到心靈與肉體上的傷害。因此,為確保兒童及青少年使用網路的安全,並避免隱私權受到侵犯,家長(或監護人)應先檢閱各該網站是否有保護個人資料的「隱私權政策」,再決定是否同意提出相關的個人資料;並應持續叮嚀兒童及青少年不可洩漏自己或家人的任何資料(包括姓名、地址、電話、電子郵件信箱、照片、信用卡號等)給任何人。

為了維護 希平方 網站安全,我們需要您的協助:

您承諾絕不為任何非法目的或以任何非法方式使用本服務,並承諾遵守中華民國相關法規及一切使用網際網路之國際慣例。您若係中華民國以外之使用者,並同意遵守所屬國家或地域之法令。您同意並保證不得利用本服務從事侵害他人權益或違法之行為,包括但不限於:
A. 侵害他人名譽、隱私權、營業秘密、商標權、著作權、專利權、其他智慧財產權及其他權利;
B. 違反依法律或契約所應負之保密義務;
C. 冒用他人名義使用本服務;
D. 上載、張貼、傳輸或散佈任何含有電腦病毒或任何對電腦軟、硬體產生中斷、破壞或限制功能之程式碼之資料;
E. 干擾或中斷本服務或伺服器或連結本服務之網路,或不遵守連結至本服務之相關需求、程序、政策或規則等,包括但不限於:使用任何設備、軟體或刻意規避看 希平方 - 看 YouTube 學英文 之排除自動搜尋之標頭 (robot exclusion headers);

服務中斷或暫停
本公司將以合理之方式及技術,維護會員服務之正常運作,但有時仍會有無法預期的因素導致服務中斷或故障等現象,可能將造成您使用上的不便、資料喪失、錯誤、遭人篡改或其他經濟上損失等情形。建議您於使用本服務時宜自行採取防護措施。 希平方 對於您因使用(或無法使用)本服務而造成的損害,除故意或重大過失外,不負任何賠償責任。

版權宣告
上次更新日期:2013-09-16

希平方 內所有資料之著作權、所有權與智慧財產權,包括翻譯內容、程式與軟體均為 希平方 所有,須經希平方同意合法才得以使用。
希平方歡迎你分享網站連結、單字、片語、佳句,使用時須標明出處,並遵守下列原則:

  • 禁止用於獲取個人或團體利益,或從事未經 希平方 事前授權的商業行為
  • 禁止用於政黨或政治宣傳,或暗示有支持某位候選人
  • 禁止用於非希平方認可的產品或政策建議
  • 禁止公佈或傳送任何誹謗、侮辱、具威脅性、攻擊性、不雅、猥褻、不實、色情、暴力、違反公共秩序或善良風俗或其他不法之文字、圖片或任何形式的檔案
  • 禁止侵害或毀損希平方或他人名譽、隱私權、營業秘密、商標權、著作權、專利權、其他智慧財產權及其他權利、違反法律或契約所應付支保密義務
  • 嚴禁謊稱希平方辦公室、職員、代理人或發言人的言論背書,或作為募款的用途

網站連結
歡迎您分享 希平方 網站連結,與您的朋友一起學習英文。

抱歉傳送失敗!

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希平方 x ICRT

「Débora Mesa Molina:由缺陷原料建出的亮麗建築」- Stunning Buildings Made from Raw Imperfect Materials


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Architecture is a profession with many rules, some written, some not, some relevant and others not. As architects, we're constantly gravitating between following these rules by the book or making a space for imagination — for experimentation. This is a difficult balance. Especially through architecture, you're trying to challenge preconceptions and push boundaries and innovate, even if just using what we have around and we overlook all the time. And this is what I've been doing along with my team, Ensamble Studio, and from our very early works that happened in strict historic contexts, like the city of Santiago de Compostela.

Here we built the General Society of Authors and Editors, a cultural building. And on top of all the regulations, we had to use stone by code and our experience was limited, but we had incredible references to learn from, some coming from the city itself or from nearby landscapes or other remote places that had impacted our education as architects, and maybe you recognize here. But somehow the finished products that industry made available for us as architects to use in our buildings seemed to have lost their soul. And so we decided to go to the nearby quarries to better understand the process that transforms a mountain into a perfectly square tile that you buy from a supplier. And we were taken by the monumental scale of the material and the actions to extract it. And looking carefully, we noticed hundreds of irregular blocks piling up everywhere. They are the leftovers of an extraction sequence: the ugly parts that nobody wants. But we wanted them. We were inspired. And it was a win-win situation where we could get this residual material of great quality, doomed to be crushed, at a very low cost.

Now, we had to convince our clients that this was a good idea; but foremost, we had to come up with a design process to reuse these randomly shaped rocks, and we had not done this before. Today everything would be much easier because we would go to the quarry with our smartphones equipped with 3-D scanners and we would document each rock, turn that into a digital model — highly engineer the whole process. But more than a decade ago, we had to embrace uncertainty and put on our boots, roll up our sleeves and move to the quarry for a hands-on experience. And we also had to become the contractors because we failed at finding somebody willing to share the risk with us. Now, luckily, we convinced the quarry team to help us build a few prototypes to resolve some of the technical details. And we agreed on a few mock-ups, but we got excited, and one stone led to another until we succeeded to build an 18-meter-long by eight-meter-high structure that recycled all the amorphous material of the quarry, just supported by gravity — no mortar and no ties. And once built and tested, moving it to the final site in the city center to unite it with the rest of the building was a piece of cake, because by having isolated uncertainty and managed risk in the controlled environment of the quarry, we were able to complete the whole building in time and on budget, even if using nonconventional means and methods. And I still get goosebumps when I see this big chunk of the industrial landscape in the city, in a building, experienced by the visitors and the neighbors. This building gave us quite a few headaches, and so it could have well been an exception in our work, but instead it started to inform a modus operandi where every project becomes this opportunity to test the limits of a discipline we believe has to be urgently reimagined.

So what you see here are four homes that we have designed, built and inhabited. Four manifestos where we are using the small scale to ask ourselves big questions. And we are trying to discover the architectures that result from unconventional applications of pretty mundane materials and technologies, like concrete in different forms in the top row, or steel and foam in the bottom row. Take, for instance, these precast concrete beams. You have probably seen them building bridges, highways, water channels — we found them on one of our visits to a precast concrete factory. And they might not seem especially homey or beautiful, but we decided to use them to build our first house. And this was an incredible moment because we got to be architects as always, builders once more and, for the first time, we could be our own clients.

So, here we are trying to figure out how we can take these huge catalogue beams of about 20 tons each and stack them progressively around a courtyard space ... the heart of the house. And due to the dimensions and their material quality, these big parts are the structure that carry the loads to the ground, but they are much more than that. They are the swimming pool; they are the walls that divide interior from exterior; they are the windows that frame the views; they are the finishes; they are the very spirit of this house. A house that is for us a laboratory where we are testing how we can use standard elements in nonstandard ways. And we are observing that the results are intriguing. And we are learning by doing that prefabrication can be much more than stacking boxes or that heavy parts can be airy and transparent. And on top of designing and building this house, we get invaluable feedback, sharing it with our family and our friends because this is our life and our work in progress.

The lessons that we learn here get translated into other projects and other programs and other scales as well, and they inspire new work. Here again we are looking at very standard products: galvanized steel studs that can be easily cut and screwed, insulating foams, cement boards — all materials that you can find hidden in partition walls and that we are exposing; and we are using them to build a very lightweight construction system that can be built almost by anyone. And we are doing it ourselves with our hands in our shop, and we are architects. We're not professional builders but we want to make sure it's possible. And it's so nice that Antón can move it with his hands and Javier can put it in a container, and we can ship it like you would ship your belongings if you were moving abroad ...which is what we did five years ago.

We moved our gravity center from Madrid and the house of the concrete beams to Brookline. And we found the ugly duckling of a very nice neighborhood: a one-story garage and the only thing we could afford. But it was OK because we wanted to transform it into a swan, installing on top our just-delivered kit of parts, once more becoming the scientists and the guinea pigs. So this is a house that uses some of the cheapest and most normal materials that you can find in the market that applies the ubiquitous four-by-eight modulation that governs the construction industry. And yet a different organization of the spaces and a different assembly of the parts is able to transform an economically built home into a luxurious space. And now, we're dreaming and we're actively working with developers, with builders, with communities to try to make this a reality for many more homes and many more families. And you see, the world around us is an infinite source of inspiration if we are curious enough to see beneath the surface of things.

Now I'm going to take you to the other side of the moon: to the sublime landscape of Montana, where a few years ago we joined Cathy and Peter Halstead to imagine Tippet Rise Art Center on a 10,000-acre working ranch. And when we first visited the site, we realized that all we knew about what an art center is was absolutely pointless for that client, for that community, for that landscape. The kind of white-box museum type had no fit here. So we decided to explode the center into a constellation of fragments, of spaces spread across the vast territory that would immerse the visitors into the wilderness of this amazing place. So back in the office, we are thinking through making, using the land both as support and as material, learning from its geological processes of sedimentation, erosion, fragmentation, crystallization — explosion — to discover architectures that are born from the land, that are visceral extensions of the landscape, like this bridge that crosses Murphy Canyon, or this fountain. Like this space topping a hill ... or this theatre that brings to us the space of the mountains and its sound. And in order to realize this idea, construction cannot be perfectly planned. We need to embrace the drastic weather and the local craft. We need to control just those aspects that are critical, like the structural, the thermal, the acoustical properties embedded in the form. But otherwise, improvisation is welcome and is provoked. And the moment of construction is still a moment of design and a moment of celebration where different hands, hearts, minds come together to perform a final dance.

And the result then cannot be anticipated. It comes as a surprise. And we unwrap architecture like you would unwrap a birthday gift. Architecture isn't uncovered: it's discovered. It's extracted from the guts of the earth to build a shelter, one of the most basic human needs. Architecture, art, landscape, archaeology, geology — all made one. And by using the resources at our disposal in radical ways, by making a space for experimentation, we are able to bring to light architectures that find the beauty latent in the raw and imperfect things that surround us, that elevate them and let them speak their own language.
Thank you.

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